| LAHUL SPITI, the land of 
            monasteries and mysteries of gods and deities is the divine gift of 
            nature on earth. The snow capped Himalayas present a panoramic 
            pageantry of exquisite creations of nature. Located in the dizzy 
            height of the Himalayas with passes that  remain closed for 
            six months, Lahul and Spiti were till now a forbidden land. Now this 
            area has been opened to the adventurous people who can have a 
            glimpse of the magnificent valley;The world  famous 
            ancient monastery  located on the bank of river Spiti 
             offers a valuable window to Tibetan culture: Art and 
            architecture here are as stupendous as in Ajanta caves, The monastic 
            complex  consisting of nine Shrines was constructed and 
            renovated between 10 th & l5th century and an inner chapel 
            suggests its foundation in 996 AD. The most important amongst these 
             shrine is Dukhung. Here 33 stucco images of Buddha. 
            Bodhisatvas  gods and goddess surround the central. figure of 
            Vairochana. Every inch of the wall is embellished with beautiful 
            paintings which are as old as the monastery. The life of Sakyamuni 
            Buddlha is also elegantly depicted here. The   gompa also 
            contains   wooden images and a precious library of 
            manuscripts. Tabo was built before Alchi monastery of LadaKh, 
            nevertheless, both of them contain huge repository of contemporary 
            Kashmiri art of the 11 th century. It also bridges missing links 
            between artistic styles of India and Tibet. The soft and tender 
            expression of the figures are the conspicuous influence of 
            Ajanta. 
              
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                |  |   Tabo is one of the 
            few monuments where one can study continuous development of Western 
            Tibetan art from 11th to 2Oth centuries. It goes to the credit of 
            the Archaeological Survey of India, which has been deputing its team 
            of experts year after year to undertake the challenging task of 
            conservation of the historical monument.Some scholars are of the 
            view that some of the murals of Tabo monastery are as old as the 
            monastery itself. Others offering a conservating estimate date the 
            wall paintings to 5QO years back. The Tabo complex 
            is surrounded on all the four sides by a high mud wall. Of nine 
            structures, all single storied, the biggest the oldest and the 
            finest is one called Duwang Lakhang. In this structure, the spacious 
            chaitya (hall) is used by monks  for daily prayers. There is no 
            window but a small image of the four-faced Buddha Vairochana is a 
            magnificent idol and represents dharma: chakra-pravartan mudra. Behind the 
            statue is a figure of Amitay Buddha seated in the innermost sanctum.
 Of the stucco idols, one  very 
            magnificent is of bodhisatva Maitreya  seated on a high 
            lotus seat. The 5.21 metre high 
            image represent future Buddha in paryanka sasana and in 
            dharma-chakra-pravartan mudra . The curly hair on the head is an 
            indication of the influence of the Gupta   period. 
             In the open courtyard around the built-up edifices, are seen 
            a number of stupas, which have been raised to house the sacred ashes 
            (mortal remains) of the Lamas who breathed their last while staying 
            in this holy place.  The Tabo Monastery is a real trove of 
            Buddhist Himalayan art and has happily escaped ravages of time and 
            the onslaught of invaders and iconoclasts. It is a magnificent 
            heritage with immense   potential awaiting  
             exposure in the the time  to come. By S. Bhardwaj    
               150696 
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