|
|
Sidhbari Dharamsala |
Paintings
|
By |
Elsbeth Buschmann |
|
|
Elsbeth Buschmann was
born in Limburg/Lahn, Germany. After finishing school she went to
study arts in London and Paris. Her subsequent extensive Study
trips took her to Scotland and Switzerland. Her early style of
traditional painting in oil and water colours changed after a stay
in Mexico where she was impressed by its contemporary art. Back in
her country she spontaneously developed her present style which
gives her the freedom to express her inner self. During her
three years’ stay in the U.S. she participated in art shows and
received various prices. Two solo exhibitions in Limburg Lahn and
Cologne, Germany followed. In 1987 she adopted a spiritual path
and settled down in India, north of Dharamsala in the Himalayan
mountains in order to paint and meditate in solitude to pursue her
search for truth and to find out what is hidden behind the
appearances. As she says: “ Nothing is as it appears. ”Her
inspiring meditations form the background of her work and reflect
a harmonious spiritual symbioses. In 1995 she held a Solo
Exhibition at the AIFAX Galleries, New
Delhi.
|
|
In the same year she
received the Himalayan Kala Award on the occasion of the National
Exhibition of Art , Kangra Museum, Dharamsala. In 2000 followed a
Solo Exhibition at the TAG, the Art Gallery of the Taj Mahal
Hotel, Bombay,. From 2001 to 2002 she wrote, only to devote again
her time to painting in 2003. |
About her work she
comments: "I consider my paintings a means to
probe into reality underlying all things. In this endeavor ,I
would like to give expression not to fugitive, but to
the the flowing and restful elements of existence. Matter
consists of energy and vibration. The analysis
and interpretation of matter has fascinated
and preoccupied both physicists and yogis.
Thus, the positive and negative charge of the atom has its
equivalent in the duality of Yin and Yang. Life is all
about bridging those opposites and merging duality into unity to
appease the affections, the intellect and the senses, thereby
allowing the values hidden in
the deeper levels of consciousness
to rise and reach the level of
consciousness. |
In
my dialogue with the world of phenomena through meditation and
painting, i strive to obtain an insight into that world that all
great gurus and founders of religion have always considered to be
the real and imperishable one. |
|
|
|
|
'' The two elements I
use mostly in my paintings are mountains and the circle or sphere.
Nature is innocent. It has no mind and no intellect. We use it
like a mirror to reflect our longing for peace and harmony, which
are part of the inner Reality. The circle has no
beginning and no end. It is infinite. It stands for the creative
power ,also called the holy Shabd or audible life stream which
reverberates through the universe and in all creation and links
mankind with that great source from where it
originates." |
|
Next
| |